![]() ![]() Then we have Octavox and Quadravox, eight and four-voice pitch-shifters with tons of control. ![]() Next up is UltraReverb, which is a, ummm, reverb. These two plug-ins alone are super deep, effectively adding up to a modular-processing toolbox with multiple delays, pitch shifters, filters, modulation, etc. Next, we have the H3000 Factory and Band Delays. ![]() First, we have the Clockworks Legacy plug-ins: H910 and H949 Harmonizers Instant Flanger and Phaser and Omnipressor®. Let's start with an overview of Anthology X. Instead, I'll focus on two areas: new additions in functionality, and comparisons with the actual hardware units I own. You should really read our Anthology II reviews online, as I'm not going to go over the same ground we've already covered. But, the folks at Eventide have done a lot more work than just port these plug-ins over to native processing. Because we've already reviewed Anthology II in the past, to be honest, I thought a review of Anthology X would basically consist of a few sentences referencing those previous reviews and announcing the new native version and its pricing. I've been a fan of Eventide gear for decades, and I own hardware versions of the H910 Harmonizer, FL201 Instant Flanger, and Instant Phaser. Now, four years later, I'm pretty excited to see the Anthology X native bundle finally released. As I mentioned in my review of Pro Tools HD Native, when I ditched my TDM rig for a native system, I never looked back - with the one exception being the loss of the TDM-only Eventide Anthology II plug-in bundle. ![]()
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